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The Fall of the House of Usher review a gleefully terrifying take on Edgar Allan Poe Television

the fall of the house of usher reviews

But that anger frequently gets in the way of the thematic richness that gave The Haunting of Hill House, The Haunting of Bly Manor and Midnight Mass their mournful charge. For eight hours, instead of rooting for people, you’re rooting for payback, leading to a satisfying, but surface-level experience. His latest show, The Fall of the House of Usher, brings back many of the familiar players, and revisits many of Flanagan’s pet themes about dysfunctional families and the way we’re all haunted by our pasts. But in one notable way, it’s the first Flanagan project to not feel entirely at home on Netflix, because it would likely play much better as a weekly series than as a binge. Then $75 per month.Complete digital access to quality FT journalism on any device. In Flanagan's version, Roderick Usher (Bruce Greenwood) and his twin sister Madeline (Mary McDonnell) are the CEO and COO, respectively, of Fortunato Pharmaceuticals, a vast corporate empire that the pair ruthlessly built up over 40 years.

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Netflix's 'The Fall of the House of Usher' Is a Whole Mood - The Atlantic

Netflix's 'The Fall of the House of Usher' Is a Whole Mood.

Posted: Tue, 31 Oct 2023 07:00:00 GMT [source]

Every episode includes flashbacks to a young Roderick (Zach Gilford), Madeline (Willa Fitzgerald), and Annabel Lee (Katie Parker), Roderick’s first wife. These fill in how the Ushers made their fortune, but they’re kind of a narrative drag. It’s important that Roderick and Madeline are cruel, selfish creatures—less so how they got that way. What’s more interesting is to watch how the fallout of their decisions fell on Roderick’s many children, all torn apart by some of Poe’s most memorable creations. This new and used bookstore just off the beach has the funky feel of a vintage shop, in part due to its best kept secret—the vast new and used vinyl selection, plus vintage record players, speakers and amps. Listen to records for sale as you peruse the aisles—Angel City offers books in every genre, and even has specialized book catalogs to help you find what you’re looking for.

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Alongside his favoured players is Mark Hamill as an unfeeling lawyer/fixer for the Usher family who sounds as if he gargles a pint of nails every morning. But as we know from the start, there’s no point in getting overly attached to them, as grisly fates are assured for all. It’s not so much the “what” as the “why” that the audience and Dupin need to be answered. Isis Hair Salon has been providing hair and beauty solutions in Los Angeles since 1995.

“The Fall of the House of Usher” Review – Mike Flanagan’s Final Netflix Series Remixes Poe to Macabre, Mixed Results

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the fall of the house of usher reviews

It’s offset by a stunning production, numerous horror sequences, and kills that’ll delight the horror fan. It’s also another showcase of magnetic performers making the absolute most of their time on screen. This is a series first and foremost about the journey rather than its conclusion, and it’s difficult not to be enthralled by Flanagan’s interpretation of Poe through biting commentary and his ever-growing cast of impeccably talented actors.

The Fall of the House of Usher Ending Explained - TIME

The Fall of the House of Usher Ending Explained.

Posted: Thu, 12 Oct 2023 07:00:00 GMT [source]

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Review: The Fall of the House of Usher is a gloriously Gothic horror delight

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Poe’s stories teem with shadows, with turgid, feverish imagery; they evoke the confused turbulence of nightmares, hallucinogens, and madness. The dreary moodiness of Flanagan’s Midnight Mass combined with the looming background ghosts of Hill House would have served this subject well, but instead the production opts for a boardroom sensibility. The gothic insertions from Poe feel forced and sanitized amid the halogencore vibes of our satirical family of squabbling billionaires. Of course, that tragedy is more for the patriarch than it is for us, and their deaths, while instrumental to the story, aren’t really what it’s about. Though their respective demises come in varying degrees and patterns of awful, almost every member of the House of Usher is despicable in their own way. Imagine watching Succession and seeing each of the series’ miserable players get what they deserve in the most lethal way possible?

Kate Siegel

Apart from serving as fun Easter eggs, however, most of these seeded references rarely amplify the main storyline — and the main storyline itself suffers from a disconnect between the stories it’s referencing and what the narrative is actually doing. It's not a spoiler to say that all of them are doomed; we learn that much in the first five minutes. The suspense comes from watching them march inevitably toward their respective gruesome fates, each manner of death inspired by one of Poe's short stories. Those secrets unfold through a series of flashbacks peppered throughout House of Usher's eight episodes. Because of this, it starts out slowly as the show attempts to introduce all of its various parts. For the first few episodes, it felt a little confused and unwieldy to me.

the fall of the house of usher reviews

That’s the kind of tone you’re in for with The Fall Of The House Of Usher, Mike Flanagan’s bloody, OTT and highly entertaining take on Edgar Allan Poe. This is no reverent Poe adaptation; instead, it’s more an interpretation of his themes of selfishness and regret, used as the foundation for an entirely invented story. “The Fall of the House of Usher” feels like Flanagan playing with form and tone in many ways, and it results in a surprisingly funny yet grisly series. Its literary origins don’t always mesh, and those familiar with Poe will realize the destination well ahead of time.

Folks like Grace’s mother, Faye (Frances Fisher), who relied on Isla to keep her dementia at bay, suddenly reckon with mortality, while the food security of the town is called into question. Faye’s late-night “support group” meetings take on an urgent and secretive tone and the townspeople claim ownership of Isla’s time despite Bobby and Beau’s protests that she needs rest to recover from her trauma. One fateful day, Bobby succumbs to peer pressure and alters Isla’s schedule at the last minute to accompany cod fishermen Marlon (Michael Greyeyes) and Dillon (Ryan McDonald). A childish game with fatal consequences is played, but with Isla indisposed, a young boy, who would have otherwise been fine, dies.

Each captures the chaotic conflict of a tortured violent psyche, and each works because the show takes the time to establish their characters and then lets us see their gradual mental collapse and demise. The first win belongs to T’Nia Miller as Victorine, the heart research scientist whose pursuit of a miracle medical technology drives her into complete psychosis. When it does, the result is a wondrously bloody, pitch-perfect display of the macabre. The second belongs to Henry Thomas as Freddie, the maligned eldest child who channels his familial resentment and insecurity into malevolent domestic abuse as his siblings start dying, culminating in a classic, shall we say, stroke of irony. Auguste Dupin (Carl Lumbly) has spent decades trying to nail the siblings on the company's various shady business practices and has finally managed to bring the Ushers to trial. The family is ably defended by their dour lawyer/fixer, Arthur Gordon Pym (Mark Hamill), aka the "Pym Reaper," and it looks like they might once again escape any real consequences for their role in the opioid epidemic.

These include haircuts, color treatments, highlights and lowlights, hair extensions, and styling for special occasions. Hair restoration services such as Brazilian blowouts, Olaplex, and keratin treatments are available as well. Like The Haunting of Bly Manor, the new show is a mash-up of the works of a particular author — in this case, Edgar Allan Poe.

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