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Get a list of the best movies and TV shows recently added (and coming soon) to Max--plus all of the titles leaving the streaming service this month--updated frequently. Get a list of the best movies and TV shows recently added (and coming soon) to the Peacock streaming service, updated frequently. Half creative writing project tied to a freshman seminar on Edgar Allan Poe, half horror-filled karmic catharsis, Flanagan’s The Fall of the House of Usher is a bluntly entertaining exercise. It’s easily the most specifically topical of Flanagan’s Netflix minis, fueled by an often palpable anger.
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The feeling that something awful is imminent makes for an engaging watch. Compelling Edgar Allan Poe adaptations have been thin on the ground since Roger Corman’s films in the 1960s. Admittedly, there was a spectacular segment in an early Treehouse of Horror Simpsons Halloween special, but with The Fall of the House of Usher, Mike Flanagan proves just as adept as Matt Groening or Corman at bringing Poe to the screen.
While Mayor Bobby Bentham (Clayne Crawford) and his wife Grace (Lara Jean Chorostecki) endeavor to raise Isla like any other little girl, the reality is that the island’s entire ecosystem revolves around her miraculous powers. It is only because of Isla that they survive; every aspect of their lives – from medicine to food – relies on her. Michael Fimognari, who splits directing duties with Flanagan, turns in a stunning showcase of murders in the back half that’s bolstered by Laurin Kelsey’s intricate, suitably gothic production design. Like the source story, “The Fall of the House of Usher” begins with Auguste Dupin (Carl Lumbly) called to a crumbling estate for a final meeting with the deteriorating Roderick Usher (Bruce Greenwood). With time drawing to a close and haunted by horrific visions of his rapidly dwindling bloodline, Roderick chronicles the rise and fall of the Usher’s wealth and reign at Fortunato Pharmaceutical and the curse that has doomed his entire family to horrific demises. Get a list of the best movies and TV shows recently added (and coming soon) to Netflix, updated frequently.
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The physical elements of the palace additionally map onto the features of a human face. The “banners yellow, glorious, golden” that “float and flow” on the roof are locks of blond hair. It has two “luminous” windows representing eyes, and the door made of pearls and rubies is a mouth with red lips and pearly white teeth. However, sorrow attacks the palace, leaving the once luminous eyes red from crying, the ruby red lips now pale. The last three lines of the song (“Through the pale door, | A hideous throng rush out forever, | And laugh — but smile no more”) describe the horrible wailing of the person now that their reason has been overthrown.
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Cue family lawyer Arthur Pym (Mark Hamill), a scowling, rasping fixer who hands out ironclad NDAs around the family dinner table. Stick a pin in that black birdie, the fatal thread that links Roderick’s rise as head of Fortunato Pharmaceuticals alongside his driven, brilliant sister, Madeline (Mary McDonnell), and the violent destruction of his clan. The series unfolds as a string of morality tales in which the sins of the father are visited upon the equally corrupt heads of the offspring. Find a list of the best movies and TV shows recently added to Paramount+ and Paramount+ With Showtime, plus a list of titles coming soon to the streaming services.
Sitting across from his legal adversary bathed in candlelight, sipping on million-dollar cognac, Roderick agrees to plead guilty to state charges in exchange for someone hearing his confession. Given the original Poe tale, and the fact that we hear Madeline is banging around in the basement, this isn’t going to end happily. Roderick’s dementia means his narration is frequently interrupted by sudden (and effectively spooky) hallucinations of his deceased progeny—melted by toxic waste, stabbed through the heart, or mauled by chimpanzees. Given the ultra-rich family and Big Pharma context, one assumes that Flanagan was taking notes on Succession and Dopesick. Fortunato is the manufacturer of Ligadone, a fictional painkiller that has caused an opioid epidemic, prompting a lawsuit leveled by D.A. When Dupin announces in court that the prosecution has an informant inside the Usher circle, waves of recrimination and paranoia sweep the backstabbing siblings.
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The different projects — including The Haunting of Hill House, The Haunting of Bly Manor, and Midnight Mass — aren’t always tonally identical, but all fit somewhere along the horror spectrum. And collectively, they feel like part of a larger anthology drama, like a more literary, less aggro version of American Horror Story. In structuring his projects this way, Flanagan gets to keep telling stories season after season without having to worry about Netflix shutting him down, or even for any one particular idea to overstay its welcome.
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'The Fall of the House of Usher' Review: Mike Flanagan's Wickedly Macabre Delight - The Daily Beast
'The Fall of the House of Usher' Review: Mike Flanagan's Wickedly Macabre Delight.
Posted: Thu, 12 Oct 2023 07:00:00 GMT [source]
The keystone of their business is a wildly popular pain-killing drug called Ligodone, which they claim is safe and non-addictive despite many, many deaths over the years resulting from abuse of the drug. While you can mostly see where things are headed in a broad sense, House of Usher excels at the details, from the thematically fitting way that characters are killed to the truth behind Roderick’s deadly deal. Even something as seemingly simple as an ignored text message becomes a powerfully tragic moment, full of both terror and heartbreak. That combination, of course, is exactly what Flanagan is known for, and it remains strong in House of Usher... By Andrew Webster, an entertainment editor covering streaming, virtual worlds, and every single Pokémon video game. A stunning use of Poe’s work as the Cliffs Notes to his own majestic, intricate brand of storytelling, Flanagan’s “The Fall of the House of Usher” showcases what the 1% is willing to sacrifice to remain in high places.
That’s the type of delicious schadenfreude that The Fall of the House of Usher offers. We watch on as each victim – Usher or otherwise – makes their proverbial bed despite the grace of the literal warnings offered. After all, hubris, like any of the fine products from the Roderick-run Fortunato, is a hell of a drug. Roderick Usher (Bruce Greenwood) attends a joint funeral for a number of his adult children, and in a montage of press coverage, we see how a series of “freak accidents” has wiped out his entire bloodline. The Usher patriarch then sits in a dilapidated mansion with Carl Lumbly’s Auguste Dupin (based on Poe’s famous recurring character who is considered the first detective in fiction) and offers him a confession. We then flash back a few weeks to when the Usher clan were on top of the world, having become Sackler-esque billionaires peddling opiates that have inflicted untold misery on the American public, and begin to watch their painful demise.
However, the connection between the house and the family runs deeper than linguistic shorthand. The decrepit house acts as a physical manifestation of the Usher family. The narrator observes the house as having an almost human-like quality, describing its windows as “eye-like.” Just as Roderick appears to radiate his own melancholy, so too does the house have a depressing air.
Of course, the binge release hasn’t exactly hurt Flanagan in the past. And some specific episodes — like the Hill House installment presented as a single take, even as it moved through two houses in two time periods — have gotten individual and relatively long-lasting attention, rather than being swallowed up by the whole thing. I watched all of The Fall of the House of Usher over a couple of days because that’s when my work schedule allowed it, and began to feel fatigued by the structure during that tight window. And in an increasingly chaotic streaming world, it’s always reassuring to have another of his projects turn up in my queue. But the narrative mostly lacks the poetic sensibility and depth of feeling, the weight of profundity that makes Poe such a perennial favorite.
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